Stevenage Muzeum badało polaczenia miasta z Polską i obecnie gości wystawę „Polskie Wycinanki” z Muzeum Horniman (do 3 Marca 2018).
Podczas II Wojny Światowej, Shephalbury Manor był domem rekonwalescencyjnym dla Polskich oficerów. Po wojnie, w 1950 r., został otwarty jako szkoła z internatem aby edukować i być domem dla Polskich osieroconych dzieci. Z czasem dzieci Polskich uchodźców również zaczęły uczęszczać do tej szkoły.
Szkoła była prowadzona przez Komitet ds. Edukacji Polaków w Wielkiej Brytanii i była finansowana przez Ministra Edukacji. Kiedy szkoła została otwarta 1go Marca 1950r, trzydzieścioro dzieci w wieku od 5 do 11 lat zostało przeniesionych z National Assistance Board Camp (Narodowe Asystujące Obozy) dla sierot wojennych w Cheshire. Do 1954r uczęszczało tu 93 dzieci. Wszystkie lekcje przeprowadzane były w języku angielskim łącznie z przedmiotami takimi jak pisanie, matematyka i historia i wielu uczniów uczęszczało później do szkoły gramatycznej. Jednakże, jak wyjaśnił dyrektor szkoły Pan Jaworski, postęp akademicki nie był jedynym obowiązkiem szkoły: „Musimy dać tym dzieciom dobre serce i ciepłą atmosferę”, powiedział, „To ma być nie tylko dobra szkoła, and również ma być dobrym domem”.
The museum is currently hosting an exhibition of Polish Papercuts from the Horniman Museum (on until 3 March 2018) and we’ve been exploring the town’s Polish connections.
During the Second World War, Shephalbury Manor was a convalescent home for Polish officers. After the war, in 1950, it opened as a boarding school to house and educate Polish orphans. Later the children of Polish refugees also attended the school.
The school was run by the committee for the Education of Poles in Great Britain and financed by the Ministry of Education. When the school opened on 1 March 1950 thirty children aged 5 to 11 were brought from a National Assistance Board camp for war orphans in Cheshire. By 1954 93 children attended. All lessons were conducted in English with subjects including writing, arithmetic and history and many of the children later went on to grammar schools. But as the head teacher Mr Jaworski explained, academic progress was not the school’s only duty. “We must give the children good heart and a warm atmosphere” he said. “It must not only be a good school, it must be a good home, also.”
The Polish school closed in the late 1950s and it seems Mr Jaworski succeeded as many of the children who attended have happy memories of their time at the school. The house became a boarding school for children from London with behavioural problems, then it stood empty for a while before the Coptic Church took it over.
We recently answered an enquiry from a local resident who is leading a walk in Fairlands Valley Park as part of a Festival of Walking. He wanted to know more about the history of the park. Here is what we found out for him.
Everyone in Stevenage (and beyond) has made use of Fairland’s Valley and Lakes, whether for picnicking, sports, or even Dragon Boating. But what’s the history of Fairlands? It wasn’t always the public space as we know it today!
The Valley had initially been farmland, and although it was owned by many different families, the last family to work on the farm was the Marriotts family. The Marriotts’ farm provided milk to the residents of Stevenage. As the site was designated as parkland, the last sale of cattle was in 1957, and its last harvest in 1968. The barns stayed in place until 1973 when they were finally demolished, but the farmhouse is still there and was used until recently by local artists from the Digswell Arts Trust.
The Valley was designated as parkland in 1966, as proposed in the Master Plan and work began to develop the valley and the lakes in 1971. The work included building a dam across the valley to help create the lakes. Did you know the lakes are filled with rainwater? The water in the lakes depends entirely on rainfall! The lakes were then opened in 1972 in by Sir Alec Rose, only one year after work began.
Although it is easy to enjoy Fairlands, there are a few rules to follow when making use of the spaces:
Remember to take all litter home or use bins provided
Make sure dogs are kept under proper control
Make sure to read and comply with the bylaws displayed in the park and can be seen at the Sailing Centre Clubhouse
And most importantly, as noted in the first guidebook for the valley: Do not play transistor radios too loudly!
REBEL AND PROPHET: THE FORGOTTEN MODERNISER OF THE 20th CENTURY STAGE
International theatre director, designer, writer, thinker, artist and lover. Discover the light and dark of this pioneer and rule-breaker, both on and off the stage.
AN EXHIBITION AT STEVENAGE MUSEUM 11 FEB – 3 JUNE 2017
When it came to naming Stevenage’s new town theatre, his name jumped off the pages of theatre history. One of the most radical and influential forces on the world’s stages was born less than a mile away.
Son of actress Ellen Terry, the “uncrowned queen of England”, Edward Gordon Craig grew up on the London stage alongside Henry Irving at the heart of the 19th century’s theatrical elite.
But Craig was harbouring a revolutionary reaction to conventional theatre-making; the visionary was already hard at work…
A new theatre for a new century was to be born.
STEVENAGE MUSEUM | ST. GEORGES WAY | STEVENAGE SG1 1XX
OPEN WEDNESDAY – FRIDAY 10AM-4.30PM & SATURDAY 10AM-5PM | ADMISSION FREE
We’ve previously posted a link to Talking New Towns, our oral history website, and this post will focus on two of the helpful resources available there; education packs for Stevenage and Hemel Hempstead named ‘Thinking New Towns’. These provide a range of fun activities and information enabling children (and adults!) to learn about the history of the new towns through subjects such as PSCHE, history and geography.
As someone who was a pupil in Stevenage in the recent past, it is very interesting to see the history of the new town from the perspective of those who were there at the start, and to compare the childhood experiences of those who moved to the new town during its formation after the Second World War with my own – I’m sure current pupils will also find it fascinating.
I can see the ‘DIY oral history’ activity as being particularly exciting given that many of those who moved to Stevenage soon after it became a new town still live in the area and can be interviewed by today’s children. However, the pack is not just for learning about Stevenage – it links to topics including the Second World War, future post-war governments, and even the Soviet Union! It can also serve as a useful launch pad for a deeper look into the history of Stevenage new town through the main Talking New Towns website. These packs bring an important section of Stevenage’s rich and exciting history to life for today’s children.
As part of the Who is Gordon Craig? project, we’re making a short film on the Edward Gordon Craig collection held at Eton College Library. We took a film crew, three of our volunteers and a lot of their questions to Eton on the 5th Jan 2017.
Kitty Butterworth (14, studying at Nobel School), Amy Shields and Maisie-Jane Betts (17 and 16, at Hitchin Girls’) interviewed Eton’s keeper of rare books and expert on Craig, Michael Meredith, whose connection with the collection and Eton College library spans 50 years.
Our team quizzed Michael on the theatre before and after Craig’s impact on it, how he expressed his ideas, his relationship with Ellen Terry, Henry Irving and other key people in his life and what he wanted to achieve with his school, founded in Italy before the First World War. Michael’s energy and enthusiasm for Craig’s work was clearly on show!
The film will be on show as part of the upcoming exhibition at Stevenage Museum, Feb 11th to June 3rd 2017, and also available as part of our resources for teachers of theatre and drama at key stage 5.
You can read more about Eton College Library here.
Our thanks to Michael Meredith and Sally Jennings at Eton College Library and Tony at Hitchin TV.
Stevenage Museum’s team of volunteer co-curators on the Who is Gordon Craig? project visited Eton College Library’s extensive archive of Edward Gordon Craig’s books, designs, artwork and correspondence on Monday 24th October.
Our volunteers, a diverse group of Stevenage locals, viewed and selected items for display in Stevenage Museum’s forthcoming exhibition on Gordon Craig’s life and work, opening in February 2017. Eton’s Michael Meredith, an expert on Craig and rare books, was on hand to answer the team’s questions and to help them explore the collection, much of which is rarely viewed by the public.
Craig, a significant and radical modernising presence in 20th century theatre, died in 1966 after a long and prolific life. He left a profound legacy in the history of theatre, art and printing.
For more information about the project or to get involved, email: firstname.lastname@example.org
We’ve been working hard on a new exhibition on the life and work of Edward Gordon Craig. Stevenage Museum’s research team, made up of staff and volunteers, visited Smallhythe Place in Kent on the 10th August 2016.
The property, now owned the National Trust, was the home of Ellen Terry (Craig’s mother) from 1899 until her death in 1928. The following year, her daughter, Edith Craig, transformed the house into a museum which now displays a fascinating personal and theatrical collection that reflects Ellen’s extraordinary career and unconventional private life.
Susannah Mayor, house steward, gave a guided tour of the beautiful 16th century property before inviting the team behind the scenes to view their extensive collection of artwork, books, letters, photographs and costumes related to this fascinating family.
Items in their collection pertaining to Edward Gordon Craig can be viewed here and the broader collection at Smallhythe is accessible here.
A database of the correspondence of Ellen Terry and Edith Craig, prepared by Professor Katharine Cockin can be found here.
As part of our preparations for the forthcoming Who is Gordon Craig? exhibition, volunteers and staff at the Stevenage Museum made their first of several planned visits to archives and repositories around the country. The team visited the Victoria & Albert Museum’s Theatre and Performance archive at Blythe House on the 10th June 2016.
The V&A’s archivist Andrew Kirk was very helpful and knowledgeable in showing us artifacts to help illustrate Craig’s story and his designs and ideas for theatre.